Off-set print on paper
41,4 × 29,2 cm
Edition of 100 copies, signed and numbered by the artist
Out of stock
about this work
From the 1980s and 1990s, Paul McCarthy’s stage sets, masks and props became sculptures, mechanized figures, video installations and environments that are often violently, sexually and politically charged.
Untitled (2007) accompanied McCarthy’s major exhibition at S.M.A.K. in Ghent in 2007.
about Paul McCarthy
Paul McCarthy is considered one of the most important living artists. With his direct and confronting approach he proved to be very influential for a younger generation of artists. Since the end of the 1960s, he is active in a wide range of media (installations, sculptures, drawings, videos and performances), but it is only since the last two decades that his work became well known to a broader audience. Paul McCarthy’s work reveals the darker side of American and European myths, transforming popular, conventionally innocent icons – from Pinocchio to Santa Claus – into disturbing, carnivalesque and perverse scenarios.
McCarthy’s provocative early performances used his own body as the raw material to explore masculinity, where, drawing on performance art and action painting, he substituted the Viennese Actionists’ sacrificial use of blood with ketchup and the Abstract Expressionists’ paintbrush with phallic false limbs. Though serious in intent and critique, McCarthy’s performances (and sculptures), have an important, but twisted and profane element of comedy, which aids in highlighting the absurdity of contemporary circumstances.
Major retrospectives of his work have included the Museum of Contemporary Art, Los Angeles; the New Museum of Contemporary Art, New York; Moderna Museet, Stockholm; Tate Liverpool; the Whitney Museum of Modern Art, New York; Van Abbemuseum, Eindhoven; S.M.A.K., Ghent; and Tate Modern, London. His work was shown in recent group shows at important international institutions including LACMA, Los Angeles; Whitney Museum, New York; Hamburger Bahnhof, Berlin; Centre Georges Pompidou, Paris; Saatchi Gallery, London; MCA, Chicago; Hayward Gallery, London; Hammer Museum, Los Angeles. McCarthy also participated at the 55th Venice Biennial in 2013.
Among others, McCarthy has works held in the collections of MoMA, New York; Whitney Museum of Art, New York; Walker Art Center, Minneapolis; and Tate Collection, London.
Paul McCarthy is represented by the following gallery;
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