{"id":4218,"date":"2021-09-16T12:29:52","date_gmt":"2021-09-16T10:29:52","guid":{"rendered":"https:\/\/artlead.net\/?post_type=product&#038;p=4218"},"modified":"2022-04-26T15:30:07","modified_gmt":"2022-04-26T13:30:07","slug":"kate-cooper-untitled-after-infection-drivers-2019","status":"publish","type":"product","link":"https:\/\/artlead.net\/nl\/product\/kate-cooper-untitled-after-infection-drivers-2019\/","title":{"rendered":"Kate Cooper &#8211; Untitled (After Infection Drivers) &#8211; 2019"},"content":{"rendered":"<p>This photographic edition is produced in the context of Kate Cooper\u2019s recent film <em>Infection Drivers<\/em>, currently on view at Stedelijk Museum, Amsterdam as part of <em>Freedom of Movement<\/em> &#8211; an exhibition that features their recent art acquisitions.<\/p>\n<p>While her previous work focused primarily on the depiction of women in advertising and popular culture, Cooper\u2019s 2018 video <em>Infection Drivers<\/em> presents a body in conflict with itself. <em>Infection Drivers<\/em> investigates how images could come to act autonomously as they become dislocated from their intended use. In the work, Cooper also speculates about how capitalist forms of image production could be appropriated and deployed as weapons against exploitative labor. Cooper does this by asking whether these digital bodies could perform in our place, and allow us to refuse to engage in certain abstract forms of labor. She is particularly interested in the body\u2019s \u201csanctuary sites\u201d\u2014vulnerable areas such as the central nervous system where drugs cannot easily penetrate. By destabilizing the notion that a \u201cnatural\u201d body stands in contrast to \u201cman-made\u201d media, <em>Infection Drivers<\/em> raises the question of whether digital technologies could create their own sanctuary sites, which could potentially incubate and give rise to new forms of anti-capitalist logic. Ultimately, Cooper invites us to consider whether \u201cbodies\u201d produced by emerging technologies might contain new forms of political potential and self-care.<\/p>\n<p><em>(courtesy of Stedelijk, Amsterdam)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>K3 Pigment Print<\/p>\n<p>40,64 \u00d7 30,48 cm<\/p>\n<p>Edition of 15 copies, signed and numbered by the artist<\/p>\n","protected":false},"featured_media":2570,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"product_brand":[],"product_cat":[15],"product_tag":[],"class_list":["post-4218","product","type-product","status-publish","has-post-thumbnail","product_cat-uncategorised","first","instock","sold-individually","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"_links":{"self":[{"href":"https:\/\/artlead.net\/nl\/wp-json\/wp\/v2\/product\/4218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artlead.net\/nl\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/artlead.net\/nl\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artlead.net\/nl\/wp-json\/wp\/v2\/media\/2570"}],"wp:attachment":[{"href":"https:\/\/artlead.net\/nl\/wp-json\/wp\/v2\/media?parent=4218"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/artlead.net\/nl\/wp-json\/wp\/v2\/product_brand?post=4218"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/artlead.net\/nl\/wp-json\/wp\/v2\/product_cat?post=4218"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/artlead.net\/nl\/wp-json\/wp\/v2\/product_tag?post=4218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}