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Peigne Fin 05

Peigne Fin 05, 2018 - Michel François

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Peigne Fin 05, 2018

Michel François

Mixed Media
26 x 42 cm / 10.24 x 16.54 inch
Unique work in a series of 10 variations, signed by the artist

  • Medium: Comb, beeswax, wood, nails, pigment
  • This work is framed and ready to install
  • Ships in 5 to 10 business days from Brussels (BE)

about this work

The idea of recyclage is central to Michel François' practice. If you look at his oeuvre, you see certain ideas, titles, images, materials and shapes reappear again and again over the last 35 years. During a studio visit, when talking about developing an edition, we came across an untitled work from 1991 - a series of wax-coated objects attached to a board by small nails - that was being restored for a collector. Peigne Fin elaborates on this idea of wax-covered forms, and consists of 10 combs from the African Matonge-area in Brussels, each dipped in beeswax and nailed to a plaster-pigmented wooden board. 

about Michel François

°1956, Sint-Truiden (BE) - lives and works in Brussels (BE)

Michel François is a conceptual artist and makes sculptures, videos, photographs, printed matter, paintings and installations. He claims no signature style but creates a web of shifting connections between his works and in each different exhibition. The titles of his solo exhibitions often point to his interest in contemporary reality, offices, domestic environments, surveillance, psychology and the police state. To cite just a few: State of Being, Urban Placarding, Expanded Bureau, Déjà vu, Theatre of Operations and Pieces of Evidence.

The meanings in his works accumulate over time and vary according to their disposition in space, or the context. In a manner similar to that of the Arte Povera artists, François uses great economy of means to transform seemingly uncomplicated objects and materials, or traces of past events, into deeply resonant carriers of meaning. His work can be seen as exploration of cause and effect, and the ways in which simple gestures can change the status of an object or have important consequences. A number of recent sculptural works, without immediately revealing their origins or the way they were made, invite the viewer to consider the degree to which the hand of the artist, or chance, played a role in their formation.

Courtesy of Xavier Hufkens

Solo exhibitions by Michel François took place at museums across the world, including Frac île-de-France, Rentilly; Middelheim Museum, Antwerp; IAC, Villeurbanne; Ikon Gallery, Birmingham; S.M.A.K., Ghent; CRAC, Sète; De Pont, Tilburg; and Haus der Kunst, München. He represented Belgium at the Venice Biennale with Ann Veronica Janssens in 1999 and his work was included in Documenta 9, Kassel.

Michel François is represented by the following galleries;
click through to discover more of his work.

Xavier Hufkens, Brussels 

Carlier Gebauer, Berlin 

Kamel Mennour, Paris / London 

Thomas Dane, London 

Bortolami, New York 

Learn more about this artist