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Glasgow 1938/1966

Glasgow 1938/1966 , 2020 - Lucy Mckenzie

Glasgow 1938/1966 , 2020

Lucy Mckenzie  

Print, Work on paper
67,2 x 42,5 cm / 26.46 x 16.73 inch
Edition of 100 copies, signed and numbered by the artist

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  • Medium: Ditone print in chromosulfate board cover
  • This work is unframed
  • Pick up at / ships in 5 to 10 business days from Berlin (DE)

about this work

Lucy McKenzie understands how to combine motifs from the histories of design, architecture, fashion, and art with the utmost precision and attention to detail in her compositions in such a way that a fan of references is unfolded to reveal a series of new associations. To this end, she makes use of various images and objects from the past to reflect on the conditions of the present. And so the city map Glasgow 1938 1966 is also a painted superimposition of two historical models. One map from 1938 shows the city’s tram routes, while the year could be read as a critical reference to the so-called “British Empire Exhibition, Scotland.” The city most likely built a great deal of infrastructure for the great spectacle; the rails on McKenzie’s map therefore also refer to the historical background of this event, of which only a few buildings have survived to this day, the Palace of Arts being one example. The other map, from 1966, documents the territories of the ruling gangsof the time. One of them, known as the Young Team, was infiltrated by a young sociologistunder the pseudonym James Patrick. His experiences were documented in A Glasgow Gang Observed (1973), a damning testimony of the effects of slum housing and urban poverty. Lucy McKenzie’s edition, which functions not only as an unfolded map but also asan object, thus serves as a reproduction of a detailed painting on the one hand, andon the other as a testimony to Glasgow’s history, one that in its presentation offersthe reader various possibilities to embark on a journey of research.

about Lucy Mckenzie

Lucy McKenzie approaches subjects of social and historical engagement, drawing inspiration from 20th-century avant-garde painting, fashion history, decorative arts, music, literature and popular culture. Another important part of her extended oeuvre is her scale models of iconic architectural structures, synthesizing existing architectural design elements.

Lucy McKenzie has had numerous solo exhibitions, including shows at Stedelijk Museum, Amsterdam; MoMA (Projects), New York;; and Tate Britain, London. Her work has also been shown in several group exhibitions, such as Painting Now: Five Contemporary Artists at Tate Britain; Drawing Now at Albertina, Vienna & S.M.A.K., Ghent; and she exhibited at venues such as Tate Modern, London; MoMA, New York; and Hammer Museum, Los Angeles. She participated at the 50th Venice Biennale in 2003.

Her work is present in many important public collections, including MoMA, New York; Tate Collection, London; and MOCA, Los Angeles.

Lucy McKenzie is represented by the following galleries;
click through to discover more of her work.

Galerie Micheline Szwajcer, Brussels

Galerie Buchholz, Cologne / Berlin / New York

Cabinet, London

Learn more about this artist

Other works by Lucy Mckenzie