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Houndstooth (Black)

Houndstooth (Black), 2005 - Claire Barclay

Houndstooth (Black), 2005

Claire Barclay  

150 x 50 cm / 59.06 x 19.69 inch
Edition of 30 copies, signed and numbered by the artist

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  • Medium: Screenprint on 300 gsm Somerset Satin White paper
  • This edition is a diptych. Each part measures 50 cm x 70,5 cm - overall measuring approximately 50 cm x 150 cm
  • This work is unframed
  • Ships in 5 to 10 business days from United Kingdom

about this work

Claire Barclay made this series of diptychs in the DCA Print Studio. Beginning with found images of hunting hounds and a book of patterns of traditional Scottish ‘houndstooth’ weaves, she allowed this imagery to undergo several metamorphoses as she explored the intrinsic qualities of the print process.

As with her sculptural work, these prints show a process-based approach that engages with a specific technique and material. The mechanical repetition of the houndstooth pattern is contrasted by her use of hand-cut stencils which allow inherent irregularities to remain visible. As the pattern unfurls itself across the paper it reveals frayed textile-like edges giving way to the structure of sharp-edged thorns; a distillation of the artist’s deliberately ambiguous exploration of the tensions between naturally found and machine-made forms.


about Claire Barclay

Claire Barclay works mainly in sculpture and printmaking. Although the forms she produces are abstract, they are informed by a deep interest in the material world we live in. Her prints typically feature strongly defined two-dimensional forms that overlap or interrelate. They can suggest the physical processes involved in printing itself. Her sculptural installations often combine small machine-tooled elements or pieces made using craft techniques with larger structures.

The artist notes that a crucial moment in her early artistic development came when she realised that using readymade elements, like found objects, brought too many clear-cut meanings into her work. She began to use objects she made or commissioned for herself. But in making this shift, Barclay has not abandoned the real world. The works often suggest tactile relationships to the things that surround us. They remind us of what it’s like to touch the substances we use to construct or furnish the places we live in. They use materials that clothe and adorn our bodies. Sometimes they look almost like familiar objects, or like the tools that we use in various kinds of crafting or making.

We know – or think we do – what wood, clay, brick or straw look and feel like. We know how fabric or leather drapes or folds over another material. But in Barclay’s art, we never get the sense that we are dealing simply with the domestic, the familiar or the useful. The works suggest instead that we often relate to our material world in ways that are strange, psychological, and perhaps dysfunctional. Claire Barclay’s art invites us to think about what places and objects feel like, and to ask how well we really know them.

(courtesy of Generation Scotland)

Claire Barclay exhibited internationally in solo exhibitions organised by The Modern Institute, Glasgow; Moderna Museet, Stockholm; Tate Britain, London; Kunstverein Braunschweig; MUDAM, Luxenburg; and Camden Arts Centre, London.
Group exhibitions include Museo Tamayo, Mexico City; Neues Museum, Nuremberg; Tensta Konsthall, Stockholm; GAK, Bremen; The Showroom, London; and Whitechapel Art Gallery, London. Barclay also participated the Gwangju Biennale and the Vienna Biennale and represented Scotland at the Venice Biennale.

Claire Barclay is represented by the following gallery;
click through to discover more of his work.

Stephen Friedman Gallery, London  

You can also find plenty more information on Claire Barclay and her work on her own website and on the website of Generation Scotland

Learn more about this artist

Other works by Claire Barclay