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De Lama Lamina

De Lama Lamina, 2004 - Matthew Barney

De Lama Lamina, 2004

Matthew Barney

Print
19 x 25 cm / 7.48 x 9.84 inch
Edition of 100 copies, signed and numbered by the artist
€3500

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  • Medium: Embossed print and pencil on paper
  • This work is framed
  • Ships in 5 to 10 businnes days from Brussels (BE)

about this work

Mattheyw Barney produced this edition based on his 2004 film project De Lama Lamina (From Mud, A Blade). This was one of his first films after completing the Cremaster Cycle and was carried out as a live performance piece at Carnival in Salvador de Bahia in collaboration with the musician Arto Lindsay. The performance draws inspiration from deities of the local Candomble region. The two gods are Ogun, the deity of war, who possesses iron tools which he uses for both building/cultivating and also harvesting/killing, and Ossaim, the god of the forests and healing. In this respect these two gods can be seen to represent to opposing sides. Central to the carnival procession is a behemoth forestry truck which holds a giant redwood in its claws, as if just torn from the ground, representing the modern day destruction of the rainforest. From this tree, hang Ogun’s seven iron tools, and climbing in the branches a woman who represents the eco-activist Julia Butterfly Hill. Whilst the truck makes its way along the carnival path, a man (called Greenman, perhaps representing Ossaim) is harnessed to the undercarriage. This figure interacts with the truck and performs sexual acts whilst plants growing from his orifices grow and bloom. Taken together, these motifs represent a hybrid of the two gods and make a political statement on how the forests are treated by man.

Each edition shows the redwood motive embossed on a sheet of paper, on which the artist wrote “de Lama Lamina” by hand in pencil and drew a border line separating the roots and branches from the tree. 

about Matthew Barney

° 1967, San Francisco (US) – lives and works in New York (US)

Matthew Barney is an American artist who works in sculpture, photography, drawing and film. His early works are sculptural installations combined with performance and video. Between 1994 and 2002 he created The Cremaster Cycle, a series of five films, which are considered by some as amidst the most imaginative and brilliant achievements in the history of avant-garde cinema.

Matthew Barney had numerous solo exhibitions, including shows at the Museum of Contemporary Art, Los Angeles; Haus der Kunst, Munich; Kunsthalle Wien, Vienna; the 21st Century Museum of Contemporary Art, Kanazawa, Japan; the Solomon R. Guggenheim Museum, New York; Museum Ludwig, Cologne; the Musée d’Art Moderne de la Ville de Paris. His work has been shown in several group exhibitions at venues such as Museum Boijmans Van Beuningen, Rotterdam, The Netherlands; Whitney Museum of American Art, New York; Vanhaerents Art Collection, Brussels; MoMA PS1, New York; Guggenheim Bilbao, Bilbao, Spain. Matthew Barney has received numerous awards including the Aperto prize at the 1993 Venice Biennale and the 1996 Hugo Boss Award.

Matthew Barney is represented by the following galleries;
click through to discover more of her work.

Sadie Coles HQ, London 

Gladstone Gallery, Brussels / New York

Regen Projects, Los Angeles  

 

Learn more about this artist